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Artist in Residence: In Flanders Museum, Ieper, West Flanders, BelgiumIeper (in Dutch) is also known as Ypres (in French) Artist in Residence opportunity for a New Zealand Artist in 2007The In Flanders Fields Museum www.inflandersfields.be in Ieper, Belgium, is offering an Artist in Residence opportunity for a New Zealand Visual Arts Artist in 2007. The residency will be timed to precede planned events to mark the 90th anniversary of the Battles of Messines and Passchendaele that will take place from June to November 2007. Of particular relevance to New Zealand is the participation of the New Zealand Division both at Messines in June 1917 and during the Third Battle of Ypres at Passchendaele (‘sGraventafel, Bellevue Spur) in September and October 1917. This Artist in Residence opportunity is supported by the New Zealand Embassy in Brussels and Creative New Zealand (the Government agency responsible for developing the arts in New Zealand) Details of the residencyThe artist must be
Length of residency: Up to 2 months. Timing of residency: Between February and June 2007 (to be mutually agreed). The work must be finished by the end of June 2007 and will be exhibited in the In Flanders Fields Museum from 1 July until 14 October 2007. Time spent in Ieper: The whole period of the residency can be spent in Ieper or part of the time. It should be long enough for the artist to gain inspiration and to create and install a new exhibit for the Museum. The work must be new work that fits in with the spirit of the residency and the In Flanders Fields Museum. Budget: €25,000 to cover all expenses of accommodation, living expenses, travel insurance, hire of a studio if required, and production of the work and the catalogue/publication. Travelling expenses: A separate budget will be provided for an economy class return airfare between New Zealand and Belgium. ApplicationsApplications are to be in the form of a letter with a CV. The application should:
Applications are to be sent to:
Closing date for applications: 5.00 pm on 1 September 2006 Selection process: A selection panel convened by Creative New Zealand will select up to 8 candidates for a short-list to be presented to the InFlanders Fields Museum for final selection. The winner will be announced on Remembrance Day (11 November 2006) in Ieper, Belgium. The winner will be advised by telephone on 12 November (NZ time). For more information, see the attached background paper and the floor plan of the exhibition space. Background InformationNew Zealand/ Belgium : WWIMore than 250,000 servicemen of the “British Empire” lost their lives in WWI in Belgium. More than 4,700 were New Zealanders. During WWI, the New Zealand Division was diverted to the Western Front in April 1916. New Zealand soldiers fought in many battles including the Battle of the Somme in France in September 1916, and the third Battle of Ypres in 1917 and the fourth battle of Ypres in 1918 in Belgium. While New Zealand soldiers had many successes, notably the Battle of Messines in June 1917, the worst day for New Zealand was 12 October 1917 during the Third Battle of Ypres when 845 died during part of the battle of Passchendaele. 2,700 were wounded. New Zealand/West Flanders relationshipNew Zealand has a very warm relationship with the people of West Flanders based on the historic bonds that were formed by New Zealand’s involvement in WWI. The sacrifices made by New Zealand soldiers, and other allied soldiers, during WWI continue to be remembered. Every year ANZAC Day commemorations are held in West Flanders. New Zealand and Australia attend commemorations separately in Mesen and Zonnebeke respectively and then meet for a joint commemoration in Ieper. In Flanders Fields Museum, Ieper The In Flanders Fields Museum opened in April 1998 and 200,000 visitors visit each year. The In Flanders Fields museum is a war museum with a message of peace. It is a modern, living museum, which offers numerous perspectives, both chronologically and thematically. The main story of the war experience is told by the individual men and women who - fought and died in their hundreds of thousands at Ypres during the Great War. Personal booths allow each visitor to follow the real life experiences of an individual caught up in the war. Interactive booths allow further exploration of many subjects. Historical booths and object booths reveal interesting additional information on specific events and objects. Sound effects and audiovisual evocations of No Man’s Land assail the senses and emotions. Scale models and objects, weapons and equipment render the war painfully tangible. The museum also sees an important role for artists, both artists from the period and contemporary artists. Every year a resident artist offers his or her own unique artistic vision on the phenomenon of War. The idea of granting to an artist the role of a unique witness and the responsibility to express society's reflection on conflict, was inspired by the attitude many of the official war artists adopted during the conflict. (Most countries appointed offical war artists. New Zealand had among others Lce.Cpl. Nugent Herman Welch, Capt. George Butler and Capt. A.Pearce). This role was best described by the British war artist Paul Nash, who wrote from Ypres in a letter to his wife: "I am no longer an artist interested and curious, I am a messenger who will bring back the word from the men who are fighting to those who want the war to go on for ever. Feeble, inarticulate will be my message, but it will have a bitter truth, and may it burn their lousy souls." (Paul Nash, Letter, 18 November 1917) In Flanders Fields Museum’s Artist in Residence ProgrammeThe Artist in Residence programme has been running since 1999. To date, all Artists in Residence have created entirely new work. The work should reflect the themes of war and peace, not necessarily WW1, but should be inspired by the place where the exhibit will go – at the centre of the Cloth Hall, underneath the Belfry Tower, and at the heart of one of Europe’s leading museums about WW1. (See attached floor plan of the exhibition space). It is a contemporary artistic reflection on war and peace. Previous artists to participate have been 1999: Val Carman (UK) The works remain the property of the artist. The In Flanders Fields Museum gives publicity to the event and produces in collaboration with the artist a small publication or a catalogue of the exhibition. The In Flanders Fields Museum enters into a contract with the artist for creating/installing the work and for the residency in Ieper. Speaking engagements: If the artist feels like it, speaking engagements with the public (art students) and the press during the residency would be welcomed and supported by the museum. To help establish a good working relationship, regular meetings between the Curator of the Municipal Museums and the Coordinator of the In Flanders Museum and the Artist should be held. Publicity: The In Flanders Fields Museum will advertise the Residency widely in the Belgian and international press, and to the public. Expenses for this will be met seperately by the museum. New Zealand Press will be asked to give publicity to this event. |
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